In addition to being one of the most acclaimed and accomplished fiction writers in the world, Nobel Prize winner J. M. Coetzee is also a literary critic of the highest caliber. In this collection of twenty essays, Coetzee examines the work of some of the twentieth-century’s greatest writers—from Samuel Beckett and Günter Grass to Gabriel García Márquez and Philip Roth. Brillian...(展开全部)

A new collection of essays and literary criticism from Nobel Prize winner J. M. Coetzee In addition to being one of the most acclaimed and accomplished fiction writers in the world, J. M. Coetzee is also a literary critic of the highest caliber. As Derek Attridge observes in his illuminating introduction, reading Coetzee’s nonfiction offers one the opportunity to see “how an...(展开全部)

In these eleven extended pieces V. S. Naipaul charts more than half a century of personal enquiry into the mysteries of the written word and of fiction in particular. Here are his boyhood experiences of reading books and his first youthful efforts at writing them; the evolution of his ideas about the extent to which individual cultures shape identities and influence literary fo...(展开全部)

V.S.奈保尔// V.S.Naipaul 英国著名作家。1932年生于特立尼达岛上一个印度移民家庭，50年代进入牛津大学攻读英国文学，毕业后开始写作。著有《米格尔街》、《毕司沃斯先生的房子》、《自由国度》、《游击队员》、《大河湾》、“印度三部曲”、《非洲的假面剧》等。2001年，获诺贝尔文学奖。

Nobel laureate V. S. Naipaul brings his signature gifts of observation, his ferocious impatience with received truths, and his masterfully condensed prose to these eleven essays on reading, writing, and identity—which have been brought together for the first time. Here the subject is Naipaul’s literary evolution: the books that delighted him as a child; the books he wrote as a ...(展开全部)

Two-time Booker Prize-winner J. M. Coetzee is one of the world's greatest novelists. This thought-provoking collection gathers twenty-six of his essays on books and writing. In his opening piece, "What Is a Classic?", Coetzee asks, "What does it mean in living terms to say that the classic is what survives?" He explores the answer by way of T. S. Eliot, Johann Sebastian Bach, a...(展开全部)

Dialog is one of the best known - and obvious - elements in a film. But the language of cinema is more subtle and sophisticated than dialog alone. From Metropolis to Kill Bill, this remarkable reference guide reveals 100 of the most potent storytelling tools of the film medium. It demonstrates how master screenwriters and directors depend on cinematic devices to pump up action,...(展开全部)

苏珊・巴斯内特：英国沃里克大学(UniversityofWarwick)英国和比较文化研究中心教授。著作包括《翻译研究》(Translation Studies)、《比较文学浅论》(Comparative Literature：A Critical Introduction)以及与安德烈・勒菲弗尔合编的《翻译、历史与文化》(Translation, History and Culture)等。 安德烈・勒菲弗尔(1946-1996)：翻译研究领域世界一流的学术带头人。著述丰厚，包括：《诗歌翻译：七种策略和一个蓝图》(Translation Poetry：Seven Strategies and a Blueprint)、《翻译、重写以及对文学名声的操纵》(Translation，Rewriting and the Manipulation of ...(展开全部)

Spitzer discusses the method he evolved for bringing together the two disciplines, linguistics and literary history, and examines the work of Cervantes, Racine, Diderot, and Claudel in the light of this theory. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the dist...(展开全部)

Writing about The Gaze of Orpheus, Geoffrey Hartman suggested that 'When we come to write the history of criticism for the 1940 to 1980 period, it will be found that Blanchot, together with Sartre, made French 'discourse' possible, both in its relentlessness and its acuity..This selection.is exemplary for its clearly translated and well-chosen excerpts from Blanchot's many infl...(展开全部)